Description
Inorganic pigment
For more information
470 Sinoperic Pigment
Sinoperin-red pigment can be used in paint production and various decorative and art paintings such as marbleing, waiting and patronizing. It is also suitable for dyeing paper and cardboard, but it is not recommended for lime and cement dyeing. Pigment binders used, for example. Linseed oil, Chinese wood oil, egg white, glue, etc. The color tone is influenced by the binder used.
Aptitude
Light resistance: moderate
Water -based binders: good
Oil -based binders: good
Lime and Cement: Not Recommended
The use of pigments to tint the paint
In tinting water -borne paints, it is advisable to first mix the pigment into a small amount of water to provide so -called. Tinting pasta. The pigment is mixed with the water so that the paste becomes smooth and fairly thick. The prepared paste is added to the paint until it is the shades of the desired. The proportion of the pigment should not be more than 10% in the finished paint, as too much pigment increase reduces the ability of the paint to grab its substrate and the paint may stain even as dry. Thus, white paint does not get very dark shades. The binder levels of different paints vary, so the tinting is always paint -specific. In the tinting of oil paints, the principle is the same as tinting water -borne paints, but the pigment is first mixed with either turpentine or cooked linseed oil ( in his verno ).
470 Sinooperkun in paint making
Pigmented oil paint for indoor use. (about 1 liter)
Homemade oil paint is suitable for furniture painting and oil glass production. Changing the number of pigments can affect the paint coverage.
5 dl cooked linseed oil
1 dl general
about 500-700g pigmented, depending on the color
0.5 dl serotine
The ingredients are measured, for example, in a three -liter container and mixed heavily with a paint mixer attached to the drill, depending on the roughness of about 15-60 minutes of pigments. Finally, the paint can be filtered so that the insoluble pigment rocks are removed. If the paint feels too thin, you can thicken it by adding chalk flour as needed. Different pigments react differently; Some need more oil to dissolve than others. Usually heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments.
Pigmentation of the pigmentation
When making a paintbotter, it is important to rub. Pigments can be rubbed with the oil with a pigment mass or a palette knife on top of a glass. Initially, the paint rushes against the platform. The paint is ready when the mixture is smooth. Masses just a little paint at a time. Mix more oil in the paste and the paint is ready. The paint is brushed in thin layers 2-5 times. Allow the surface to dry between the layers for 2-5 days.
