Description
Pigment
For more information
500 Kasselinruskea
Cash brown is a natural ground pigment that is ideal for translucent treatment. Pigment is recommended for use with oil -based binders. Ideal for lashes.
Pigment, or color powder, is suitable for paint tinting and decorative and art paintings such as marbling, waiting and patinating. A binder is added to the pigments, which binds the paint and holds it on the surface to be painted. The result of the color depends on the amount of the pigment used and the binder used.
Ground pigments
Light resistance: Good
Water -based binders: moderate
Oil -based binders: good
Lime and cement: moderate
The use of pigments to tint the paint
In tinting water -borne paints, it is advisable to first mix the pigment into a small amount of water to provide so -called. Tinting pasta.
The pigment is mixed with the water so that the paste becomes smooth and fairly thick. The prepared paste is added to the paint until it is the shades of the desired.
The proportion of the pigment should not be more than 10% in the finished paint, as too much pigment increase reduces the ability of the paint to grab its substrate and the paint may stain even as dry.
Thus, white paint does not get very dark shades. The binder levels of different paints vary, so the tinting is always paint -specific.
In the tinting of oil paints, the principle is the same as tinting water -borne paints, but the pigment is first mixed with either turpentine or cooked linseed oil (in his verno ).
Aptitude
Light resistance: Good
Water -based binders: not recommended
Oil -based binders: good
Lime and Cement: Not Recommended
Using pigments in paint tinting
In tinting water -borne paints, it is advisable to first mix the pigment into a small amount of water to provide so -called. Tinting pasta. The pigment is mixed with the water so that the paste becomes smooth and fairly thick. The prepared paste is added to the paint until it is the shades of the desired. The proportion of the pigment should not be more than 10 % in the finished paint, as too much pigment increase reduces the ability of the paint to grab its substrate and the paint may stain even as dry. Thus, white paint does not get very dark shades. The binder levels of different paints vary, so the tinting is always paint -specific. In the tinting of oil paints, the principle is the same as tinting water -borne paints, but the pigment is first mixed with either turpentine or cooked linseed oil (in his verno).
500 bag liner in paint making
Pigmented oil paint for indoor use. (about 1 liter)
Homemade oil paint is suitable for furniture painting and oil glass production. Changing the number of pigments can affect the paint coverage.
5 dl cooked linseed oil
1 dl general
about 500-700g pigmented, depending on the color
0.5 dl serotine
The ingredients are measured, for example, in a three -liter container and mixed heavily with a paint mixer attached to the drill, depending on the roughness of about 15-60 minutes of pigments. Finally, the paint can be filtered so that the insoluble pigment rocks are removed. If the paint feels too thin, you can thicken it by adding chalk flour as needed. Different pigments react differently; Some need more oil to dissolve than others. Usually heavy pigments dissolve in a smaller amount of oil than light dusting pigments. When making small batches, the pigments dissolve in a smaller amount of oil than light dusting pigments.
Pigmentation of the pigmentation
When making a paintbotter, it is important to rub. Pigments can be rubbed with the oil with a pigment mass or a palette knife on top of a glass. Initially, the paint rushes against the platform. The paint is ready when the mixture is smooth. Masses just a little paint at a time. Mix more oil in the paste and the paint is ready. The paint is brushed in thin layers 2-5 times. Allow the surface to dry between the layers for 2-5 days.
